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dc.contributor.author Caralt, David
dc.date.accessioned 2024-09-26T00:38:54Z
dc.date.available 2024-09-26T00:38:54Z
dc.date.issued 2014
dc.identifier.issn 1808-5741
dc.identifier.uri https://repositorio.uss.cl/handle/uss/12962
dc.description.abstract In his first novel, the trilogy The Sleepwalkers, published between 1930 and 1932, the Austrian writer Hermann Broch-one of the greatest representatives of the critical literature of the Fin-de-Siècle Vienna together with Robert Musil and Joseph Roth - introduced in the middle of the plot long essayistic digressions that start with a discourse on architectural ornament. For Broch, the singularity of his present lay in "the fact that an epoch captive to death and hell has to live within a style incapable of producing the Ornamental". Broch's ornament theory, in open opposition to that of Adolf Loos, comes from the writer's early aesthetic concerns, formulated just when the controversy around the Looshaus in Vienna's Michaelerplatz erupted towards 1910. en
dc.language.iso spa
dc.relation.ispartof vol. 10 Issue: no. 1 Pages: 37-44
dc.source Arquiteturarevista
dc.title La muerte del ornamento según Hermann Broch (ca. 1911) es
dc.title.alternative The death of ornament according to Hermann Broch (ca. 1911) en
dc.type Artículo
dc.identifier.doi 10.4013/arq.2014.101.05
dc.publisher.department Facultad de Arquitectura, Arte y Diseño


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