Resumen: There isn’t a single way to evoke the past nor a sole purpose in bringing it into the present. In his critique of the exhibition How to Design a Revolution: The Chilean Way to Design (Centro Cultural la Moneda, September 8th to January 28th, 2024), Gonzalo Carrasco reflects on the role of memory in curatorial work, emphasizing its ability to mobilize imaginaries for the future rooted in design and collective work.